![]() ![]() ![]() Goodall, Jr., “Blood, Shit, and Tears: The Terrorist as Abject Other,” paper presented at the “Managing and Legislating Workplace Abjection,” University of York, United Kingdom, September 23, 2009. Joseph Gusfield (Chicago: University of Chicago Press, 1989). ![]() Kenneth Burke, On Symbols and Society, ed. See Max Weber, “Objectivity in Social Science and Social Policy,” in The Methodology of the Social Sciences, ed. Walter R Fisher, Human Communication as Narration: Toward a Philosophy of Reason, Value, and Action (Columbia: University of South Carolina Press, 1989).Ĭlifford Geertz, “Thick Description: Toward an Interpretive Theory of Culture,” in The Interpretation of Cultures (New York: Basic Books, 1973). Joseph Campbell, The Power of Myth (New York: Anchor, 1991). Halverson, Theology and Creed in Sunni Islam: The Muslim Brotherhood, Ash ‘arism, and Political Sunnism (New York: Palgrave Macmillan, 2010), 60–65.Īlasdair MacIntyre, After Virtue: A Study in Moral Theory (South Bend, IN: University of Notre Dame Press, 1984), 8. In communication and strategic communication, a master narrative (or metanarrative) is a “transhistorical narrative that is deeply embedded in a particular culture.” A master narrative is therefore a particular type of narrative, which is defined as a “coherent system of interrelated and sequentially organized stories that share a common rhetorical desire to resolve a conflict by establishing audience expectations according to the known trajectories of its literary and rhetorical form.Jeffry R. In the case of Christianity, the school Nativity play is a good example of this. Metanarratives are not usually told outright, but are reinforced by other more specific narratives told within the culture. Examples of these stories are nationalisms, religion, and science, to name a few. In postmodern philosophy, a metanarrative is an untold story that unifies and totalizes the world, and justifies a culture’s power structures. Therefore, a metanarrative is a story about a story, encompassing and explaining other “little stories” within totalizing schemes. According to John Stephens it “is a global or totalizing cultural narrative schema which orders and explains knowledge and experience.” The prefix meta- means “beyond” and is here used to mean “about”, and narrative is a story constructed in a sequential fashion. ![]() In critical theory, and particularly postmodernism, a metanarrative (from metagrand narrative) is an abstract idea that is thought to be a comprehensive explanation of historical experience or knowledge. As masterplots, by their nature, recur in many different narrative versions, it is an obvious mistake to employ the often misused term ‘master narrative’ for this concept.” (Abbot, 16, 42-6, 47-8, 49-50, 54, 57, 59, 88, 119, 120, 132, 148-52, 158, 160) Masterplots can also exert an influence on the way we take in new information, causing us to overread or underread narratives in an often unconscious effort to bring them into conformity with a materplot. “Recurrent skeletal stories, belonging to cultures and individuals that play a powerful role in questions of identity, values, and the understanding of life. a classic text or other archetypal story, which provides a schematic world view upon which an individual’s experiences and perceptions may be ordered. one which alludes to other narratives, or refers to itself and to its own artifice. Any narrative which is concerned with the idea of storytelling, spec. ![]()
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